Shure PGDMK6-XLR Drum Microphone Kit with XLR-XLR Cable Review
Shure PGDMK6-XLR Drum Microphone Kit with XLR-XLR Cable Feature
- (3) PG56 compact snare/tom microphones for close miking.
- (1) PG52 high-performance kick drum microphone tuned to capture low-end punch.
- (2) PG81 instrument microphones; a sensitive, flat response mic ideal for overhead and cymbal miking.
- (3) A50D drum mounts. Can be used on most standard drum rims. The flexible, yet sturdy rubber construction provides stability and ease of installation.
- (6) 15ft (4.57m) XLR-XLR cables.
- PG56 compact snare/tom microphones for close miking.
- PG52 high-performance kick drum microphone tuned to capture low-end punch.
- PG81 instrument microphones; a sensitive, flat response mic ideal for overhead and cymbal miking.
- A50D drum mounts. Can be used on most standard drum rims. The flexible, yet sturdy rubber construction provides stability and ease of installation.
- 15ft (4.57m) XLR-XLR cables.
- A50D drum mounts. Can be used on most standard drum rims.
- The flexible, yet sturdy rubber construction provides stability and ease of installation
Tailored for performers of every level, the affordable Shure PG81 sensitive, flat response condenser microphone is ideal for picking up cymbal crashes as well as acoustic instruments. The compact PG56 mic is ideal for close miking, while the high-performance PG52 kick drum microphone is tuned to capture low-end punch. All three feature a cardioid polar pattern that picks up the most sound from in front of the microphone and some sound from the sides, and is less susceptible to feedback in high volume settings.
The Shure PG81 instrument mic.
| PG81 Instrument Microphone
PG52/PG56 Drum Microphones
| Packaged together in a durable carrying case.
|
The Shure A50D mounts features a threaded sliding screw that secures a standard microphone clip to a drum, and its flexible, yet sturdy rubber construction provides stability and ease of installation.
The Shure PG52. | The Shure PG56. |
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